CWotW – Gaiters
My Findings:
Gaiters are a lower leg covering that extends from the instep of the foot, over the ankle, and covers the calf, sometimes over the knee. They were used in military dress, and are still used by hikers and climbers to protect their legs from undergrowth and cold. They could be made from any sturdy heavy material such as cotton canvas, leather or modernly, thick polyesters and nylon. Most of the ones I have seen button up, but also can be buckled (I have a decorative pair that lace up at the side). These are not to be confused with spats, which are simply a short version of gaiters that only cover the instep and ankle and were mostly used for decorative purposes. FOR MORE CLICK HERE…
CWotW - Flat Lining (also Underlining)
My Findings:
Flat lining can be used to stiffen anything you sew that you need to have be more stiff such as a structured bodice, cuffs, lapels, and ESPECIALLY corsets.
Basically, you have your fashion fabric that you cut into your pattern shape. You cut another out of your flat lining fabric (usually a stiffer material such as canvas, but any sturdy, woven fabric such as muslin should work), then lay it on top of your fashion fabric, Fashion wrong side to Flat Lining right side. Then you stitch INSIDE the seam allowance (in between where your seam and the edge of the fabric is) all the way around. Repeat for each piece. Then use them as if they were just one piece. Then finish your seams as normal (binding, serging, flat felling, French seaming, zigzagging, or pinking).
This is also called “Underlining”, and is often confused with “Interlining” (Yes, I’m guilty of that). Underlining is using a fabric as described above, where as interlining is used to add warmth to a garment (At least this is what the Threads Magazine article told me).
FOR MORE CLICK HERE…
CWotW – Tambour
My Findings:
Tambour embroidery is a style of embroidery that uses a hook like tool instead of a needle, to produce something like a chain stitch. It is done on fabric that is pulled taught over a hoop, with another hoop over top to keep the tension (normal embroidery hoops). This hoop is where the word Tambour comes from because Tambour means drum (When you think about it, fabric in a round embroidery hoop does look like the top of a drum). The Tambour technique is also great for beading and can apply beads and sequins quickly. FOR MORE CLICK HERE…
CWotW – Kirtle
My Findings:
A kirtle is a supportive dress that usually laces tightly over a shift and may be worn as the outer layer, or with another gown on top.
In the medieval period it seems to have been a gown fitted either at the front, or side seams (with less evidence for princess seams).
Less likely to have a waist seam than it’s later cousins. The closer you get to the 16th century, the more the kirtle takes on the characteristics of a bodice with attached full skirt. It’s possible that in fact the corset (or rather “pair of bodies”) is a more heavily stiffened kirtle bodice simply without the skirt. Even in the 16th century kirtles could still be a single gown, as we can see in the example of the kirtle and loose gown in Janet Arnold’s Patterns of Fashion.
FOR MORE CLICK HERE…
CWotW – Pet-en-l’air / Sacque Back / Watteau
(I’m trying a new format for this, let me know what you think)
My Findings:
This is an 18th century fashion that has always intrigued me. It combines the beautiful elegance of 18th century fitted fashion, with more comfort and ease of being able to adjust the tightness for fluctuating weight. It’s fitted through the shoulders and arms, but the bottom is fitted in the front with the fabric draping in pleats at the back. Underneath the back pleats, the garment has center back lacing of the lining fabric to keep the front tight and in place. The front usually has an opening where a stomacher is pinned or hook and eyed, or laced in, as was the fashion for many gowns in the 18th century.
According to JP Ryan the robe à la Française, or sacque back gown, was called a pet-en-l’air when it had shorter skirts in the jacket form*. So if your sacque back gown gets excessively dirty or torn along the bottom, beyond repair, then you can just trim it up and use it as a jacket or pet-en-l’air. It was also called a Watteau gown because of a famous painter who painted a lot of ladies with these pleated, saque back gowns.
While I have not made one of these gowns yet, it is on my list…possibly if I ever get re-married in an 18th century ceremony. (Hint to the husband! Maybe at 15 or 20?)
FOR MORE CLICK HERE…